Liang Ruoqing is a girl who, after being lied to and dumped by her ideal high-school boyfriend Ai Ren, develops love phobia and vows to never fall in love again. However, she meets a handsome doctor Lu Zhehan at her grandfather's hospital. Lu Zhehan seems to be the perfect guy but since she doesn't believe in "perfect" anymore, she thinks that he is too good to be true. Her new journey begins when she tries to show to all of the women that this doctor is not as good as everyone thinks he is, but fate is playing a trick on her. The more she tries to uncover his hidden evil nature, the more she discovers that he may be the right guy to cure her love phobia.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Rocky Jo, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Ariel Lin, Chen Bolin, Li Yifeng, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Ariel Lin
as Liang Ruoqing
Chen Bolin
as Lu Zhehan
Li Yifeng
as Cui Ailun
Joelle Lu
as Lisa
Renee Yuan
as Xiaorou
Yang Zishan
as Coco
Michael Tao
as Grandfather
Edwin Gerard
as Perfect Pastor
Mini Chao
as A Hua
Huang Pei-jia
as Miki
Lang Tsu-yun
as Aunt Jin
Peggy Tseng
as CandyCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 90 min |
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The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
