Jerusalem Countdown (2011)
When nuclear weapons are smuggled into America, FBI Agent Shane Daughtry is faced with an impossible task -- find them before they are detonated. The clock is ticking and the only people who can help are a washed up arms dealer, a converted Israeli Mossad Agent and a by-the-book CIA Deputy Director.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Harold Cronk, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring David A.R. White, Randy Travis, Lee Majors, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
David A.R. White
as Shane Daughtry
Randy Travis
as Jack Thompson
Lee Majors
as Rockwell
Stacy Keach
as Jackson
Jaci Velasquez
as Angie
Anna Zielinski
as Eve
Liam Matthews
as Nick Tanner (as Matthew Tailford)
Carey Scott
as Daniel
Nick Jameson
as Matthew Dean
Marco Khan
as Javad
Jamie Nieto
as Russ Walters
Kristen Barrett
as English reporterCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 83 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
