

Twee vrouwen
Twice a Woman (1979)
“Her name was Sylvia. Her love was a woman. Her mistake was a man.”
Synopsis & Story Arc
Official Logline
When a divorced museum director takes a young girl as a lover things quickly become more complicated when her ex-husband also engages in a relationship with the girl.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Bibi Andersson
Bibi Andersson
as Laura
Anthony Perkins
Anthony Perkins
as Alfred
Sandra Dumas
Sandra Dumas
as Sylvia
Kitty Courbois
Kitty Courbois
as Sylvia's mother
Tilly Perin-Bouwmeester
Tilly Perin-Bouwmeester
as Laura's motherAstrid Weyman
Astrid Weyman
as KarinSarah Godbold
Sarah Godbold
as Little LauraCharles Gormley
Charles Gormley
as The playwrightArnold Gelderman
Arnold Gelderman
as Raoul
Adrian Brine
Adrian Brine
as Alan DendermanGregor Frenkel Frank
Gregor Frenkel Frank
as Rublioff
Joop Admiraal
Joop Admiraal
as TeacherCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 110 min |
Behind The Scenes
Official Licensed Streaming Directory
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
