The Flintstones in Viva Rock Vegas (2005)
“Get ready to rock!”
The Flintstones are at it again. The Flintstones and the Rubbles head for Rock Vegas with Fred hoping to court the lovely Wilma. Nothing will stand in the way of love, except for the conniving Chip Rockefeller who is the playboy born in Baysville but who has made it in the cutthroat town of Rock Vegas. Will Fred win Wilma's love?
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Brian Levant, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Mark Addy, Stephen Baldwin, Kristen Johnston, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Mark Addy
as Fred Flintstone
Yutaro Honjo
as Ao Fukai (voice)
Stephen Baldwin
as Barney Rubble
Kanako Miyamoto
as Naru Arata (voice)
Kristen Johnston
as Wilma Slaghoople
Ayaka Ohashi
as Fleur Blanc (voice)
Jane Krakowski
as Betty O'Shale
Chiaki Omigawa
as Elena Peoples (voice)
Joan Collins
as Pearl Slaghoople
Kaori Nazuka
as Eureka (voice)
Thomas Gibson
as Chip Rockefeller
Alan Cumming
as The Great Gazoo / Mick Jagged
Harvey Korman
as Colonel Slaghoople
Alex Meneses
as Roxie
John Taylor
as Keith Richrock
Tony Longo
as Big Rocko
Danny Woodburn
as Little RockoCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 24 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
