

Scarface
Scarface (1932)
“The rise and fall of a power hungry mobster.”
Synopsis & Story Arc
Official Logline
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Paul Muni
Paul Muni
as Antonio 'Tony' Camonte
Ann Dvorak
Ann Dvorak
as Francesca 'Cesca' Camonte
Karen Morley
Karen Morley
as Poppy
Osgood Perkins
Osgood Perkins
as John 'Johnny' Lovo
C. Henry Gordon
C. Henry Gordon
as Insp. Ben Guarino
George Raft
George Raft
as Guino Rinaldo
Vince Barnett
Vince Barnett
as Angelo
Boris Karloff
Boris Karloff
as Gaffney
Purnell Pratt
Purnell Pratt
as Mr. Garston, publisher
Tully Marshall
Tully Marshall
as Managing Editor
Inez Palange
Inez Palange
as Mrs. Camonte
Edwin Maxwell
Edwin Maxwell
as Chief of DetectivesCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 93 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
