

ドールズ
Dolls (2002)
“Three stories of never-ending love.”
Synopsis & Story Arc
Official Logline
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Miho Kanno
Miho Kanno
as Sawako
Hidetoshi Nishijima
Hidetoshi Nishijima
as Matsumoto
Tatsuya Mihashi
Tatsuya Mihashi
as Hiro
Chieko Matsubara
Chieko Matsubara
as Ryoko
Kyoko Fukada
Kyoko Fukada
as Haruna Yamaguchi
Tsutomu Takeshige
Tsutomu Takeshige
as Nukui
Kayoko Kishimoto
Kayoko Kishimoto
as Haruna's Aunt
Nao Omori
Nao Omori
as Matsumoto's Colleague
Kanji Tsuda
Kanji Tsuda
as Young Hiro
Yuko Daike
Yuko Daike
as Young Ryoko
Ren Osugi
Ren Osugi
as Haruna's Manager
Koji Kiryu
Koji Kiryu
as YakuzaCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 114 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
