Popolvar, Biggest in the World (2021)
A fairy-tale about knight honour, punished evil and tender love. Three royal brothers are put to the test in the fight with the king of the underworld in order to save captured princess, Láskykvet.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Martin Ťapák, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Marek Ťapák, Zuzana Skopálová, Jozef Kroner, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Elizabeth Olsen
as Wanda Maximoff / Scarlet Witch
Marek Ťapák
as Prince Radoslav
Paul Bettany
as Vision / The Vision
Zuzana Skopálová
as Princess Láskykvet
Jozef Kroner
as Sablica
Kathryn Hahn
as Agnes / Agatha Harkness
Vlado Müller
as King Levoslav
Teyonah Parris
as Monica Rambeau / Geraldine
Bronislav Križan
as King Blahoslav
Randall Park
as Jimmy Woo
Vlado Černý
as Prince Pravoslav
Kat Dennings
as Darcy Lewis / The Escape ArtistGustáv Kyselica
as Prince Bransilav
Jozef Majerčík
as Leading CastSonja Korenčiová
as Leading CastBeatrix Uličná
as Leading CastĽudovít Kroner
as Leading CastTomáš Raček
as Leading CastCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 45 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
