Lord, I Believe (2001)
Lord, I Believe is a collection of three stories where Jesus teaches His disciples the power of faith. First, a kind Roman centurion pleads for his dying servant. The servant is healed because he asked in faith with nothing doubting. Saying “weep not,” Jesus raises the son of the poor widow of Nain. Lastly, a man with weak faith begs the Master to make his son whole, as Jesus answers, “all things are possible to him that believeth.”
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Richard Rich, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Ivan Crosland, John A. Nicolaysen, Ed Francis Martin, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Ivan Crosland
as Jesus (voice)
John A. Nicolaysen
as Peter (voice)
Ed Francis Martin
as Poor Man (voice)
Jim J. Bullock
as Licea (voice)
E. G. Daily
as Caleb (voice)
Lew Palter
as Rabbi (voice)
Glen Vernon
as Issachar (voice)
Andrew Craig
as Ben / Flavius (voice)
Jacob Livingston
as Joel (voice)Dan Davis
as Doctor (voice)Bridget Connors
as Corrine (voice)Kristie Transeau
as Widow (voice)Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 30 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
