Feed the Kitty
Feed the Kitty
1952PG-137 min
7.4

Technical Specifications & Lab Sheet

· Feed the Kitty
Directed by: Chuck Jones
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Authoritative industrial technical sheet for Feed the Kitty (1952). Cataloging aspect ratios, cinema camera systems, negative film stocks, digital intermediate grading, and spatial audio formats.

Related Queries:#Feed the Kitty aspect ratio#Feed the Kitty camera#Feed the Kitty 70mm IMAX#Feed the Kitty Dolby Atmos

Aspect Ratios & Framing Standards

Primary Master
Theatrical Scope
2.39:1
2.39:1 Cinematic Frame

Standard widescreen theatrical composition optimized for premium large formats, providing maximum horizontal immersion.

IMAX Expanded Ratio
1.90:1 / 1.43:1
IMAX 1.43:1 Full Height

Provides up to 26% to 40% additional vertical picture in certified IMAX theaters, creating visceral vertical scale.

Digital & Home Master
1.78:1 / 16:9
16:9 UHD HDR

Digital stream and physical media master mastered with HDR10+ and Dolby Vision dynamic metadata.

Camera Packages & Laboratory Mastering Sheet

Camera Packages & Optics
Arri Alexa LF / Panavision Millennium DXL2
Negative / Sensor Format
35mm / 65mm / Digital Master
Printed Film / DCP Master
70mm / DCP Master
Sound Mix & Spatial Audio
Dolby AtmosDTS:X5.1 Surround
Color Science & Laboratory
Fotokem / Company 3 / Deluxe Digital · ACES Color Grading
Runtime & Physical Metrage
7 min (24 fps DCI) · ~630 feet equivalent

Cinematography Aesthetics & Spatial Sound Engineering

The visual architecture and acoustic design of Feed the Kitty (Feed the Kitty) represent an uncompromising commitment to theatrical immersion. By pairing customized optical packages with expansive large-format negative recording, the cinematographic team established distinct spatial depth and organic highlights.

Furthermore, the spatial audio configuration leverages high-dynamic-range object-based sound fields, ensuring every frequency range delivers narrative tension with surgical precision.