Escort Girls (2018)
“Need a mate..? Dial-a-Date...”
It s Christmas Eve in London, 1974 - and seven lonely people are on the town, looking to grab that elusive slice of enjoyment. So who better to contact than an escort agency- providing high-class ladies and gentlemen for anyone willing to pay the right price. But even in the saucy seventies, things weren t that easy- and our intrepid pleasure seekers have to face everything from inadequacy, rejection and catharsis to racism, violence and grand theft. Just goes to show how lonely a place the throbbing metropolis can be, especially during the holiday season...
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Donovan Winter, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Maria O'Brien, David Dixon, Helen Christie, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Scoot McNairy
as Walt Breslin
Maria O'Brien
as Susan
José María Yázpik
as Amado Carrillo Fuentes
David Dixon
as Hugh Lloyd
Alejandro Edda
as Joaquín 'El Chapo' Guzmán
Helen Christie
as Mary Hockstadler
Luis Gerardo Méndez
as Victor TapiaRichard Wren
as Barry
Matt Letscher
as James 'Jaime' KuykendallMarika Mann
as Emma Gouldman
Gorka Lasaosa
as Héctor Luis Palma SalazarGil Barber
as Wayne
Alfonso Dosal
as Benjamín Arellano Felix
Brian Jackson
as Harvey Matelow
Mayra Hermosillo
as Enedina Arellano FelixBarbara Wise
as Sheila
Luisa Rubino
as Andrea NuñezVeronica Doran
as Vicky
Manuel Masalva
as Ramón Arellano FelixKen Gajadhar
as Lester
Kristen Lee Gutoskie
as Dani
David Brierly
as James
Bobby Soto
as David BarronJames Hunter
as IanCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 45 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
