Se7en (1995)
“Gluttony. Greed. Sloth. Envy. Wrath. Pride. Lust.”
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by David Fincher, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Morgan Freeman, Brad Pitt, Gwyneth Paltrow, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
摩根·弗里曼
as Somerset
Brad Pitt
as Mills
Gwyneth Paltrow
as Tracy
John Cassini
as Officer Davis
Peter Crombie
as Dr. O'Neill
Reg E. Cathey
as Dr. Santiago
R. Lee Ermey
as Police Captain
Daniel Zacapa
as Detective Taylor at First Murder
Andrew Kevin Walker
as Dead Man at 1st Crime Scene
George Christy
as Workman at Door of Somerset's Office
Endre Hules
as Cab Driver
Hawthorne James
as George the Night Guard at the LibraryCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 127 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
