

Los olvidados
The Young and the Damned (1950)
Synopsis & Story Arc
Official Logline
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Estela Inda
Estela Inda
as Mother
Miguel Inclán
Miguel Inclán
as Carmelo
Alfonso Mejía
Alfonso Mejía
as Pedro
Roberto Cobo
Roberto Cobo
as Jaibo
Alma Delia Fuentes
Alma Delia Fuentes
as Meche
Francisco Jambrina
Francisco Jambrina
as School PrincipalJesús García Navarro
Jesús García Navarro
as FatherEfraín Arauz
Efraín Arauz
as CacarizoSergio Virel
Sergio Virel
as RuffianJorge Pérez
Jorge Pérez
as PelónJavier Amézcua
Javier Amézcua
as JuliánMario Ramírez
Mario Ramírez
as OjitosCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 82 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
