Gone with the Wind
Gone with the Wind
1939PG-13238 min
7.9

Technical Specifications & Lab Sheet

· Gone with the Wind
Directed by: Victor Fleming
Back to Film Hub

Authoritative industrial technical sheet for Gone with the Wind (1939). Cataloging aspect ratios, cinema camera systems, negative film stocks, digital intermediate grading, and spatial audio formats.

Related Queries:#Gone with the Wind aspect ratio#Gone with the Wind camera#Gone with the Wind 70mm IMAX#Gone with the Wind Dolby Atmos

Aspect Ratios & Framing Standards

Primary Master
Theatrical Scope
2.39:1
2.39:1 Cinematic Frame

Standard widescreen theatrical composition optimized for premium large formats, providing maximum horizontal immersion.

IMAX Expanded Ratio
1.90:1 / 1.43:1
IMAX 1.43:1 Full Height

Provides up to 26% to 40% additional vertical picture in certified IMAX theaters, creating visceral vertical scale.

Digital & Home Master
1.78:1 / 16:9
16:9 UHD HDR

Digital stream and physical media master mastered with HDR10+ and Dolby Vision dynamic metadata.

Camera Packages & Laboratory Mastering Sheet

Camera Packages & Optics
Arri Alexa LF / Panavision Millennium DXL2
Negative / Sensor Format
35mm / 65mm / Digital Master
Printed Film / DCP Master
70mm / DCP Master
Sound Mix & Spatial Audio
Dolby AtmosDTS:X5.1 Surround
Color Science & Laboratory
Fotokem / Company 3 / Deluxe Digital · ACES Color Grading
Runtime & Physical Metrage
238 min (24 fps DCI) · ~21,420 feet equivalent

Cinematography Aesthetics & Spatial Sound Engineering

The visual architecture and acoustic design of Gone with the Wind (Gone with the Wind) represent an uncompromising commitment to theatrical immersion. By pairing customized optical packages with expansive large-format negative recording, the cinematographic team established distinct spatial depth and organic highlights.

Furthermore, the spatial audio configuration leverages high-dynamic-range object-based sound fields, ensuring every frequency range delivers narrative tension with surgical precision.