

Murder Most Foul
Murder Most Foul (1964)
“New misdeeds are afoot afoot the footlights!”
Synopsis & Story Arc
Official Logline
A murderer is brought to court and only Miss Marple is unconvinced of his guilt. Once again she begins her own investigation.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Margaret Rutherford
Margaret Rutherford
as Miss Jane Marple
Ron Moody
Ron Moody
as H. Driffold Cosgood
Charles Tingwell
Charles Tingwell
as Inspector Craddock
Andrew Cruickshank
Andrew Cruickshank
as Justice Crosby
Megs Jenkins
Megs Jenkins
as Gladys Thomas
Ralph Michael
Ralph Michael
as Ralph Summers
James Bolam
James Bolam
as Bill Hanson
Stringer Davis
Stringer Davis
as Jim Stringer
Francesca Annis
Francesca Annis
as Sheila Upward
Pauline Jameson
Pauline Jameson
as Maureen Summers
Annette Kerr
Annette Kerr
as Dorothy
Alison Seebohm
Alison Seebohm
as Eva McGonigallCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 90 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
