Dusk (2026)
When a series of unexplained events begin to echo across time, one woman finds herself at the center of a threat that refuses to stay buried. As the past bleeds into the present, she is forced to confront a presence that seems to follow her across lives, memories, and moments she can’t fully explain. DUSK is a psychological horror film that blends suspense and supernatural elements, exploring the idea that some darkness doesn’t end—it returns. Starring Laura Bailey (Critical Role), alongside Bruce DuBose and Todd Haberkorn, the film delivers a character-driven descent into fear, where survival means recognizing what’s been hunting you all along.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Kyle Hodgkinson, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Laura Bailey, Bruce Dubose, Todd Haberkorn, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Laura Bailey
as Chelsea
Bruce Dubose
as Niko
Todd Haberkorn
as Wayne
GiGi Erneta
as MotherRaquel Lovern
as Court DancerHeather Child
as PriestessCarrie Slaughter
as PsychiatristKelsey Schultz
as Elizabeth VettersDavid Cassimatis
as NorsemanDean Williams
as Tattoo Artist
Ashlie Rhey
as JuanitaEduardo DeLeon
as SculptorCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 99 min |
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The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.