The Man with the Golden Gun
The Man with the Golden Gun (1974)
“The world's greatest villains tried to kill James Bond...now it's Scaramanga's turn to try!”
Synopsis & Story Arc
Official Logline
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Roger Moore
Roger Moore
as James Bond
Christopher Lee
Christopher Lee
as Francisco Scaramanga
Britt Ekland
Britt Ekland
as Mary Goodnight
Maud Adams
Maud Adams
as Andrea Anders
Hervé Villechaize
Hervé Villechaize
as Nick Nack
Clifton James
Clifton James
as Sheriff J.W. Pepper
Richard Loo
Richard Loo
as Hai Fat
Soon-Tek Oh
Soon-Tek Oh
as Lieutenant Hip
Marc Lawrence
Marc Lawrence
as Rodney
Bernard Lee
Bernard Lee
as M
Lois Maxwell
Lois Maxwell
as Miss Moneypenny
Marne Maitland
Marne Maitland
as LazarCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 125 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.