What Have You Done to Solange? (1972)
After several Catholic school pupils are murdered, a teacher who is having an affair with one of his students becomes a suspect. When other gruesome murders start occurring shortly thereafter, the teacher suspects that he may be the cause of them.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Massimo Dallamano, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Fabio Testi, Karin Baal, Cristina Galbó, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Fabio Testi
as Enrico Rosseni
Karin Baal
as Herta Rosseni
Cristina Galbó
as Elizabeth Seccles
Joachim Fuchsberger
as Inspector Barth
Günther Stoll
as Professor Bascombe
Claudia Butenuth
as Brenda Pilchard
Camille Keaton
as Solange Beauregard
Maria Monti
as Mrs. Erickson
Giancarlo Badessi
as Mr. Erickson
Pilar Castel
as Janet Bryant
Giovanna Di Bernardo
as Helen Edmonds
Vittorio Fanfoni
as Enrico's LandlordCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 107 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
