Largo Winch II (2011)
“The Burma Conspiracy”
Propelled to the head of the W Group after the death of his adoptive father, Largo Winch decides, to everyone's surprise, to sell it, and use the proceeds to create an ambitious humanitarian foundation. But on the very same day, he finds himself accused of crimes against humanity by a mysterious witness. To prove his innocence, Largo will have to retrace the steps of his past life, in the heart of the Burmese jungle.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Jérôme Salle, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Tomer Sisley, Sharon Stone, Ulrich Tukur, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Tomer Sisley
as Largo Winch
Sharon Stone
as Diane Francken
Ulrich Tukur
as Dwight Cochrane
Olivier Barthélémy
as Simon Ovronnaz
Napakpapha Nakprasitte
as Malunaï
Laurent Terzieff
as Alexandre Jung
Nicolas Vaude
as Gauthier
François Montagut
as Clive Hanson
Nirut Sirijanya
as General Kyaw Min
Anatole Taubman
as Beaumont
Dmitri Nazarov
as Virgil Nazatchov
Weronika Rosati
as AnnaCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 119 min |
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The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
