Henry's Crime (2010)
“The real crime is not committing to your dreams.”
An aimless man is sent to prison for a crime he did not commit, an ex-con targets the same bank he was sent away for robbing.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Malcolm Venville, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Keanu Reeves, Vera Farmiga, James Caan, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Keanu Reeves
as Henry Torne
Vera Farmiga
as Julie Ivanova
詹姆斯·凯恩
as Max Saltzman
Judy Greer
as Debbie Torne
Fisher Stevens
as Eddie Vibes
Danny Hoch
as Joe
Bill Duke
as Frank
Peter Stormare
as Darek Millodragovic
Currie Graham
as Simon
David Costabile
as Arnold
Jordan Gelber
as TrofimovAudrey Lynn Weston
as DunyashaCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 108 min |
Pure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
