Inside 'Interstellar' (2015)
Cast and crew of Christopher Nolan's "Interstellar" discuss project origins, the film's imagery, ambitions, incorporating IMAX footage, the human element within the film, arm shooting locations outside of Calgary, the set construction and design, working with real corn, mechanical characters, including backstory, design, the blend of practical and digital effects in bringing them to life, the differences in the characters, the human performances behind the characters, the creative process behind the film's music, Icelandic locations, vehicle interiors, the processes of simulating the absence of gravity, the crucial end-film visuals and influence and inspiration for future generations
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Jordan Goldberg, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Christopher Nolan, Emma Thomas, Lynda Obst, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Christopher Nolan
as Self - Director / Co-Writer
Emma Thomas
as Self - Producer
Lynda Obst
as Self - Producer
Matthew McConaughey
as Self - 'Cooper'
Jessica Chastain
as Self / Murph
安妮·海瑟薇
as Self / Brand
Hans Zimmer
as Self - Composer
Lee Smith
as Self - Editor
Mary Zophres
as Self - Costume Designer
Kip Thorne
as Self - Executive Producer
Jonathan Nolan
as Self - Co-Writer
卡西·阿弗莱克
as Self - 'Tom'Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 122 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
