

Four Rooms
Four Rooms (1995)
“Twelve outrageous guests. Four scandalous requests. And one lone bellhop, in his first day on the job, who's in for the wildest New year's Eve of his life.”
Synopsis & Story Arc
Official Logline
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Tim Roth
Tim Roth
as Ted the Bellhop
Jennifer Beals
Jennifer Beals
as Angela
David Proval
David Proval
as Siegfried
Ione Skye
Ione Skye
as Eva
Madonna
Madonna
as Elspeth
Antonio Banderas
Antonio Banderas
as Man
Quentin Tarantino
Quentin Tarantino
as Chester
Paul Calderon
Paul Calderon
as Norman
Bruce Willis
Bruce Willis
as Leo (uncredited)
Lana McKissack
Lana McKissack
as SarahDanny Verduzco
Danny Verduzco
as Juancho
玛丽莎·托梅
玛丽莎·托梅
as MargaretCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 98 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.


