Yellowknife (2014)
The film tells the story of three couples on the road between the Atlantic coast and the Northwest Territories in Canada.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Rodrigue Jean, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Sébastien Huberdeau, Philippe Clément, Brad Mann, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Eliza Taylor
as Clarke Griffin
Sébastien Huberdeau
as Max
Bob Morley
as Bellamy Blake
Philippe Clément
as Johnny
Lindsey Morgan
as Raven Reyes
Brad Mann
as Bill
Marie Avgeropoulos
as Octavia Blake
Todd Mann
as Billy
Richard Harmon
as John Murphy
Claude Lemieux
as Raymond
Tasya Teles
as Echo
Glen Gould
as George
JR Bourne
as Russell Lightbourne
Hélène Florent
as Linda
Shannon Kook
as Jordan Green
Patsy Gallant
as Marlène Bédard
Chuku Modu
as Gabriel SantiagoMelvin Swan
as Police Officer - Native Reserve
Shelby Flannery
as Hope DiyozaThérèse Bartel
as WaitressGisèle Caissie
as CashierMarie-Thérèse François
as Woman in motel hallwayCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 42 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
