Southside 1-1000 (2012)
The U.S. Secret Service goes after a counterfeiting ring by placing one of its Treasury agents inside a criminal mob.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Boris Ingster, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Don DeFore, Andrea King, George Tobias, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Kenan İmirzalıoğlu
as Mahir Kara
Don DeFore
as John Riggs / Nick Starnes
Bergüzar Korel
as Feride Şadoğlu
Andrea King
as Nora Craig
Çetin Tekindor
as Nazif Kara
George Tobias
as Reggie
Yurdaer Okur
as Turgut Akin
Barry Kelley
as Bill Evans
Erkan Avcı
as Necdet Güney
Morris Ankrum
as Eugene Deane
Melike İpek Yalova
as Ayten Alev
Robert Osterloh
as Albert
Rıza Kocaoğlu
as Yasin 'Kibrit' Ulutas
Charles Cane
as Harris
Ulaş Tuna Astepe
as Orhan Kara
Kippee Valez
as Singer
Halil Babür
as Doğan
Joe Turkel
as Frankie
Kerem Fırtına
as Adnan Tok
Ray Teal
as Detective
Hüseyin Soysalan
as Kütük Nail
Don Beddoe
as Slade
Cenan Çamyurdu
as ErdalCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 130 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
