La Barricade du Point-du-Jour (2004)
Detailed synopsis in curation by GlobalCineDB cinephile community.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by René Richon, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Anicée Alvina, Jean-Luc Bideau, Danièle Delorme, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Ellie Taylor
as Self - Presenter
Anicée Alvina
as Elise
Jean-Luc Bideau
as Bouillon
Danièle Delorme
as Eudes
Philippe Noiret
as Eugène Pottier
Raymond Bussières
as Jean-Baptiste
Cécile Vassort
as Leila
Claude Brosset
as Madrou
Paulette Dubost
as Mme Lapoule
Monique Chaumette
as Henriette
László Szabó
as Léo FrankelCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 29 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
