Anna (1968)
Anna is working at a Parisian advertising agency. The director has fallen in love with a young woman he only knows through a photograph — of Anna.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Pierre Koralnik, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Anna Karina, Jean-Claude Brialy, Serge Gainsbourg, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Anna Karina
as Anna
Jean-Claude Brialy
as Serge
Serge Gainsbourg
as L'ami de Serge
Marianne Faithfull
as Une jeune femme dans la soirée dansante
Barbara Sommers
as Une tante de Serge
Henri Virlogeux
as L'homme du banc
Hubert Deschamps
as Le présentateur TVCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 87 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
