Margaret (2011)
17-year-old Lisa feels certain that she inadvertently played a role in causing a traffic accident that claimed a woman's life. In her attempts to set things right, she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and, most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course with the realities and compromises of the adult world.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Kenneth Lonergan, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Anna Paquin, J. Smith-Cameron, Mark Ruffalo, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Anna Paquin
as Lisa Cohen
J. Smith-Cameron
as Joan
马克·鲁法洛
as Maretti
Jeannie Berlin
as Emily
Jean Reno
as Ramon
Sarah Steele
as Becky
John Gallagher Jr.
as Darren
Cyrus Hernstadt
as Curtis
Allison Janney
as Monica Patterson
Kieran Culkin
as Paul
马特·达蒙
as Mr. Aaron
Stephen Adly Guirgis
as MitchellCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 150 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
