Stella Dallas (2012)
“Sure - I like a good time!”
A working-class woman is willing to do whatever it takes to give her daughter a socially promising future.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by King Vidor, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Barbara Stanwyck, John Boles, Anne Shirley, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Yuki Kaji
as Shindou Arata
Barbara Stanwyck
as Stella Dallas
Kana Hanazawa
as Akane Tsunemori (voice)
John Boles
as Stephen Dallas
中村悠一
as Kei Mikhail Ignatov
Anne Shirley
as Laurel "Lollie" Dallas
Tomokazu Seki
as Shinya Kogami (voice)
Barbara O'Neil
as Helen Morrison
樱井孝宏
as Sho Hinakawa (voice)
Alan Hale
as Ed Munn
Ayane Sakura
as Mika Shimotsuki (voice)
Marjorie Main
as Mrs. Martin
Miyuki Sawashiro
as Shion Karanomori (voice)
George Walcott
as Charlie Martin
Ann Shoemaker
as Miss Margaret Phillibrown
Tim Holt
as Richard Grosvenor III
Nella Walker
as Mrs. Grosvenor
Bruce Satterlee
as Cornelius 'Con' Morrison
Jimmy Butler
as Con Morrison - Grown UpCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 28 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
