Os Trapalhões na Guerra dos Planetas
Os Trapalhões na Guerra dos Planetas (1978)
Synopsis & Story Arc
Official Logline
Coming from outer space, Prince Flick asks the Trapalhões to help him free his planet from the domain of evil Zuco and free Princess Myrna, who has been taken prisoner. He offers a reward, the four friends accept the mission and embark in a spaceship driven by a hairy monster called Bonzo. Once on the planet, they they defeat Zuco, but they fail to save Princess Myrna's life. Her place on the throne is then taken by Loya, the girlfriend Didi met on that planet. Back on Earth, os Trapalhões think their adventure was but a dream, but they are convinced otherwise when they find their reward.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Renato Aragão
Renato Aragão
as Didi Mocó
Dedé Santana
Dedé Santana
as Dedé Santana
Zacarias
Zacarias
as Zacarias
Mussum
Mussum
as Antônio Carlos
Pedro Aguinaga
Pedro Aguinaga
as Prince Flick
Arlete Moreira
Arlete Moreira
as Mara
Wilma Dias
Wilma Dias
as Loya
Tereza Mascarenhas
Tereza Mascarenhas
as LinaRisa
Risa
as Kelma
Christina Rocha
Christina Rocha
as Princess MyrnaEmil Rached
Emil Rached
as Bonzo
Carlos Kurt
Carlos Kurt
as Zucco / YgorCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 98 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.