Spellbound
Spellbound (1945)
“This is love! Complete...reckless...violent!”
Synopsis & Story Arc
Official Logline
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Ingrid Bergman
Ingrid Bergman
as Dr. Constance Petersen
Gregory Peck
Gregory Peck
as John Ballantine
Michael Chekhov
Michael Chekhov
as Dr. Alexander Brulov
Leo G. Carroll
Leo G. Carroll
as Dr. Murchison
Rhonda Fleming
Rhonda Fleming
as Mary Carmichael
John Emery
John Emery
as Dr. Fleurot
Norman Lloyd
Norman Lloyd
as Mr. Garmes
Bill Goodwin
Bill Goodwin
as House Detective
Steven Geray
Steven Geray
as Dr. Graff
Donald Curtis
Donald Curtis
as Harry
Wallace Ford
Wallace Ford
as Stranger in Hotel Lobby
Art Baker
Art Baker
as Det. Lt. CooleyCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 111 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.