Jackie's Back! (1999)
“A diva’s work is never done, baby.”
A British documentarian profiles washed-up diva Jackie Washington as she prepares for her comeback concert.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Robert Townsend, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Jenifer Lewis, Tim Curry, T.V. Blake, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Jenifer Lewis
as Jackie Washington
Tim Curry
as Edward Whatsett St. John
T.V. Blake
as Antandra Washington (Jackie's Daughter)
Tangie Ambrose
as Shaniqua Summers Wells (Jackie's Daughter)
Whoopi Goldberg
as Nurse Ethyl Washington Rue Owens (Jackie's Sister)
Robert Bailey Jr.
as Wilson Wells (Jackie's Grandson)
Tom Arnold
as Marvin Pritz (Jackie's Former Manager)
Loretta Devine
as Snookie Tate (Jackie's Childhood Friend)
Julie Hagerty
as Pammy Dunbar (Infomercial Host)
David Hyde Pierce
as Perry (The Deaf Rehearsal Pianist)
Kathy Najimy
as Lola Molina (Jackie's Stalker)
Isabel Sanford
as Miss Krumes (Jackie's Play Mama)Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 91 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
