If You Only Knew (2000)
A romantic comedy about a young man who fakes homosexuality to draw the interest of a woman. Instead she tries to help him find a date.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by David Snedeker, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Johnathon Schaech, Alison Eastwood, James Le Gros, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Johnathon Schaech
as Parker Concorde
Alison Eastwood
as Samantha
James Le Gros
as Jack
Gabrielle Anwar
as Kate
Paul Sampson
as Matt
Annie Corley
as Joanne
Rainbeau Mars
as Kim
Miguel A. Núñez Jr.
as Troy
Frank Vincent
as Gino
Lainie Kazan
as Bess
Jo Yang
as Grocery Clerk
Dayna Danika
as Bag LadyCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 107 min |
Pure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.