

Snow White and the Seven Dwarfs
Snow White and the Seven Dwarfs (1938)
“The Happiest, Dopiest, Grumpiest, Sneeziest movie of the year.”
Synopsis & Story Arc
Official Logline
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Adriana Caselotti
Adriana Caselotti
as Snow White (voice) (uncredited)
Lucille La Verne
Lucille La Verne
as Queen / Witch (voice) (uncredited)
Harry Stockwell
Harry Stockwell
as Prince (voice) (uncredited)
Roy Atwell
Roy Atwell
as Doc (voice) (uncredited)
Pinto Colvig
Pinto Colvig
as Sleepy / Grumpy / Dopey (hiccups) (voice) (uncredited)
Otis Harlan
Otis Harlan
as Happy (voice) (uncredited)Scotty Mattraw
Scotty Mattraw
as Bashful (voice) (uncredited)
Billy Gilbert
Billy Gilbert
as Sneezy (voice) (uncredited)
Eddie Collins
Eddie Collins
as Dopey / Chipmunk and Squirrel Sneezes (voice) (uncredited)
Moroni Olsen
Moroni Olsen
as Magic Mirror (voice) (uncredited)Marion Darlington
Marion Darlington
as Birds (voice) (uncredited)
Purv Pullen
Purv Pullen
as Birds (voice) (uncredited)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 83 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.



