Lásky jedné plavovlásky
Loves of a Blonde (1965)
Synopsis & Story Arc
Official Logline
Andula, an innocent Czech girl from a factory town, is desperately in search of love. She believes she's found it when she beds Milda, a charming young musician visiting from Prague. Milda, however, is only looking for a casual encounter, and leaves town assuming he'll never see Andula again. But when Andula doesn't hear from him, she packs up and heads to Prague, to the surprise of Milda and his parents.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Hana Brejchová
Hana Brejchová
as Andula
Vladimír Pucholt
Vladimír Pucholt
as Milda
Vladimír Menšík
Vladimír Menšík
as Vacovský
Ivan Kheil
Ivan Kheil
as MaňasJiří Hrubý
Jiří Hrubý
as Burda
Milada Ježková
Milada Ježková
as Milda's MotherJosef Šebánek
Josef Šebánek
as Milda's Father
Josef Kolb
Josef Kolb
as PokornýMarie Salačová
Marie Salačová
as MarieJana Nováková
Jana Nováková
as JanaJarka Crkalová
Jarka Crkalová
as JaruškaTáňa Zelinková
Táňa Zelinková
as Girl with GuitarCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 81 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.