蜘蛛巣城
Throne of Blood (1957)
Synopsis & Story Arc
Official Logline
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Toshirō Mifune
Toshirō Mifune
as Taketoki Washizu
Isuzu Yamada
Isuzu Yamada
as Lady Asaji Washizu
Takashi Shimura
Takashi Shimura
as Noriyasu Odagura
Akira Kubo
Akira Kubo
as Yoshiteru Miki
Hiroshi Tachikawa
Hiroshi Tachikawa
as Kunimaru Tsuzuki
Minoru Chiaki
Minoru Chiaki
as Yoshiaki Miki
Takamaru Sasaki
Takamaru Sasaki
as Kuniharu Tsuzuki
Gen Shimizu
Gen Shimizu
as Washizu samurai
Kokuten Kōdō
Kokuten Kōdō
as Military Commander
Kichijirō Ueda
Kichijirō Ueda
as Washizu's workman
Eiko Miyoshi
Eiko Miyoshi
as Old Woman at castle
Chieko Naniwa
Chieko Naniwa
as Old Ghost WomanCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 108 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.