ゴジラ・モスラ・キングギドラ大怪獣総進撃
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)
“The God of Destruction Godzilla lands in Japan!”
Synopsis & Story Arc
Official Logline
Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Chiharu Niiyama
Chiharu Niiyama
as Yuri Tachibana
Ryudo Uzaki
Ryudo Uzaki
as SDF Adm. Taizô Tachibana
Masahiro Kobayashi
Masahiro Kobayashi
as Teruaki Takeda
Shiro Sano
Shiro Sano
as Haruki Kadokura
Takashi Nishina
Takashi Nishina
as AD Aki Maruo
Kaho Minami
Kaho Minami
as SDF Intelligence Capt. Kumi Emori
Shin'ya Ohwada
Shin'ya Ohwada
as SDF L:t. Gen. Katsumasa Mikumo
Kunio Murai
Kunio Murai
as SDF HQ Secretary Masato Hinogaki
Hiroyuki Watanabe
Hiroyuki Watanabe
as Yutaka Hirose
Shingo Katsurayama
Shingo Katsurayama
as SDF Intelligence Maj. Tokihiko Kobayakawa
Toshikazu Fukawa
Toshikazu Fukawa
as Adjutant Miyashita
Ryo Kase
Ryo Kase
as FisherCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 105 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.