Wanee & Junah (2001)
“A woman in love with two men. One is the man she lives with, the other one is her brother…”
Wanee an animator and Junah a scriptwriter are lovers living together when one day an old friend of Wanee's drops in and brings to fore, all supressed memories of Wanee's love for her step brother.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Kim Yong-gyun, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Kim Hee-seon, Ju Jin-mo, Choi Kang-hee, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Kim Hee-seon
as Wa-nee
Ju Jin-mo
as Jun-ah
Choi Kang-hee
as So-yeong
Cho Seung-woo
as Yeong-min
Park Ho-san
as Seong-jae
Kim Hong-pa
as President of the Film Company
李姃垠
as Producer
Hyun Sook-hee
as Aunt
Lee Eun-jeong
as Shop Owner
Jung Kyung-ho
as Driver That Caused an Accident
Jo Deok-jae
as Pub Owner
Kim Yeong-im
as Female High School StudentCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 115 min |
Pure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
