Case Closed: Countdown to Heaven
Case Closed: Countdown to Heaven
2001PG-13100 min
7.4

Technical Specifications & Lab Sheet

· Case Closed: Countdown to Heaven (名探偵コナン 天国へのカウントダウン)
Directed by: Kenji Kodama
Back to Film Hub

Authoritative industrial technical sheet for Case Closed: Countdown to Heaven (2001). Cataloging aspect ratios, cinema camera systems, negative film stocks, digital intermediate grading, and spatial audio formats.

Related Queries:#Case Closed: Countdown to Heaven aspect ratio#Case Closed: Countdown to Heaven camera#Case Closed: Countdown to Heaven 70mm IMAX#Case Closed: Countdown to Heaven Dolby Atmos

Aspect Ratios & Framing Standards

Primary Master
Theatrical Scope
2.39:1
2.39:1 Cinematic Frame

Standard widescreen theatrical composition optimized for premium large formats, providing maximum horizontal immersion.

IMAX Expanded Ratio
1.90:1 / 1.43:1
IMAX 1.43:1 Full Height

Provides up to 26% to 40% additional vertical picture in certified IMAX theaters, creating visceral vertical scale.

Digital & Home Master
1.78:1 / 16:9
16:9 UHD HDR

Digital stream and physical media master mastered with HDR10+ and Dolby Vision dynamic metadata.

Camera Packages & Laboratory Mastering Sheet

Camera Packages & Optics
Arri Alexa LF / Panavision Millennium DXL2
Negative / Sensor Format
35mm / 65mm / Digital Master
Printed Film / DCP Master
70mm / DCP Master
Sound Mix & Spatial Audio
Dolby AtmosDTS:X5.1 Surround
Color Science & Laboratory
Fotokem / Company 3 / Deluxe Digital · ACES Color Grading
Runtime & Physical Metrage
100 min (24 fps DCI) · ~9,000 feet equivalent

Cinematography Aesthetics & Spatial Sound Engineering

The visual architecture and acoustic design of Case Closed: Countdown to Heaven (名探偵コナン 天国へのカウントダウン) represent an uncompromising commitment to theatrical immersion. By pairing customized optical packages with expansive large-format negative recording, the cinematographic team established distinct spatial depth and organic highlights.

Furthermore, the spatial audio configuration leverages high-dynamic-range object-based sound fields, ensuring every frequency range delivers narrative tension with surgical precision.