Soy Cuba
I Am Cuba (1964)
Synopsis & Story Arc
Official Logline
A study in contrasts set in and around Havana that explores Cuba's 1959 revolution: a young woman's fascination with the excess of an American-owned casino leads to her downfall in the eyes of her street vendor boyfriend; a tenant farmer revolts the only way he knows how, attacking the land he works; university students gain first-hand knowledge of political upheaval; and, in the hills outside the city, the members of a poor peasant family are patriotically swept up into the burgeoning revolt.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Sergio Corrieri
Sergio Corrieri
as Alberto
Salvador Wood
Salvador Wood
as Mariano
José Gallardo
José Gallardo
as PedroRaúl García
Raúl García
as EnriqueLuz María Collazo
Luz María Collazo
as Maria / Betty
Jean Bouise
Jean Bouise
as JimAlberto Morgan
Alberto Morgan
as ÁngelFausto Mirabal
Fausto Mirabal
as Leading CastRoberto García York
Roberto García York
as American ActivistMaría de las Mercedes Díez
María de las Mercedes Díez
as Leading CastBárbara Domínguez
Bárbara Domínguez
as Leading CastJesús del Monte
Jesús del Monte
as Leading CastCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 141 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.