Catwoman (2001)
“You can’t CATch her.”
Liquidated after discovering a corporate conspiracy, mild-mannered graphic artist Patience Phillips washes up on an island, where she's resurrected and endowed with the prowess of a cat — and she's eager to use her new skills... as a vigilante. Before you can say "cat and mouse", handsome gumshoe Tom Lone is on her tail, fascinated by both of her personas.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Pitof, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Halle Berry, Benjamin Bratt, Sharon Stone, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Scott Bakula
as Jonathan Archer
Halle Berry
as Patience Phillips / Catwoman
Jolene Blalock
as T'Pol
Benjamin Bratt
as Tom Lone
Connor Trinneer
as Charles 'Trip' Tucker III
Sharon Stone
as Laurel Hedare
John Billingsley
as Phlox
Lambert Wilson
as George Hedare
Dominic Keating
as Malcolm Reed
Frances Conroy
as Ophelia
Linda Park
as Hoshi Sato
Alex Borstein
as Sally
Anthony Montgomery
as Travis Mayweather
Michael Massee
as Armando
Byron Mann
as Wesley
Kim Smith
as Drina
Christopher Heyerdahl
as Rocker
Peter Wingfield
as Dr. Ivan Slavicky
Berend McKenzie
as LanceCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 44 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
