Nana (2005)
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Kentaro Otani, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Mika Nakashima, Aoi Miyazaki, Kenichi Matsuyama, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Mika Nakashima
as Nana Osaki
Aoi Miyazaki
as Nana Komatsu (Hachi)
Kenichi Matsuyama
as Shinichi Okazaki
Ryuhei Matsuda
as Ren Honjou
Tetsuji Tamayama
as Takumi Ichinose
Tomomi Maruyama
as Yasushi Takagi
Saeko
as Sachiko Kawamura
Yuna Ito
as Reira Serizawa
Momosuke Mizutani
as Naoki Fujieda
Anna Nose
as Junko Saotome
Takehisa Takayama
as Kyosuke Takakura
Yuta Hiraoka
as Shoji EndoCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 113 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
