Jibbing With Jeremy Jones (2005)
“Jibbing with Jeremy Jones” is an instructional video that covers the basics of learning how to ride handrails and park features. Bringing years of experience to the project Jeremy teaches you the following tricks: Backside Boardslides, Frontside Boardslides, Backside 50-50′, Frontside 50-50′s, Backside Lipslides, Frontside Lipslides, Nose Presses, Switch Nose Presses, 5-0′s and Switch 5-0′s. He also teaches several variations of these tricks to round the video out. This video is shot in Super 16mm film and all tricks are explained in detail by one of the masters of the sport.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Mike McEntire, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Jeremy Jones, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 120 min |
Pure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
