Demon Lover (1992)
Jenny Harris has a rather difficult time with the men in her life: her husband is an abusive clown who cheats on her, and her boss is a rude jerk. Her new neighbor Rebecca proposes that finding herself a fantasy lover is the way to solve her problems. A little séance later, and Jenny does in fact have her very own dream lover. Despite him being a beer-bellied guy with a creepy face, he seems rather irresistible and at first improves Jenny's mood quite a bit. What our heroine doesn't suspect is that her dream lover is in fact an incubus.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Mike Tristano, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Neil Delama, Ashlie Rhey, Robert Z'Dar, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Neil Delama
as Mark Stevenson
Ashlie Rhey
as Jenny Harris
Robert Z'Dar
as Walsh
Michelle Bauer
as Marilyn Stevenson
Joe Estevez
as Tom Baldwin
Lauren Hays
as Susan Dalton
Gwen Somers
as RebeccaSean Morrow
as Incubus (The Summoned)
Joseph Haggerty
as Doctor HaynesMike Tristano
as RickGary Agostino
as William
James Adam Tucker
as DetectiveCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 88 min |
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The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.