

Domicile conjugal
Bed and Board (1970)
“First Truffaut gave us The 400 Blows. Then Stolen Kisses... and now Bed and Board.”
Synopsis & Story Arc
Official Logline
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Jean-Pierre Léaud
Jean-Pierre Léaud
as Antoine Doinel
Claude Jade
Claude Jade
as Christine Doinel
Daniel Ceccaldi
Daniel Ceccaldi
as Lucien DarbonClaire Duhamel
Claire Duhamel
as Madame DarbonHiroko Matsumoto
Hiroko Matsumoto
as Kyoko
Daniel Boulanger
Daniel Boulanger
as Le Voisin TénorSilvana Blasi
Silvana Blasi
as Silvana, la Femme du Ténor
Barbara Laage
Barbara Laage
as Monique, la Secrétaire
Claude Véga
Claude Véga
as Le Pseudo Étrangleur
Danièle Girard
Danièle Girard
as Ginette, la Serveuse
Philippe Léotard
Philippe Léotard
as L'homme Ivre (uncredited)
François Truffaut
François Truffaut
as Le Marchand de Journaux (voice) (uncredited)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 97 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.