Baisers volés
Stolen Kisses (1968)
“Antoine knows what he wants to do ... his problem is doing it.”
Synopsis & Story Arc
Official Logline
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Jean-Pierre Léaud
Jean-Pierre Léaud
as Antoine Doinel
Claude Jade
Claude Jade
as Christine Darbon
Delphine Seyrig
Delphine Seyrig
as Fabienne Tabard
Michael Lonsdale
Michael Lonsdale
as Georges Tabard
Daniel Ceccaldi
Daniel Ceccaldi
as Lucien Darbon
Claire Duhamel
Claire Duhamel
as Madame Darbon
Harry-Max
Harry-Max
as Monsieur Henri
André Falcon
André Falcon
as Monsieur BladyCatherine Lutz
Catherine Lutz
as Catherine
Martine Ferrière
Martine Ferrière
as Vendeuse en chef du magasin de chaussures
Serge Rousseau
Serge Rousseau
as Un gars qui suit Christine
Paul Pavel
Paul Pavel
as JulienCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 90 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.