

The Ghost and Mrs. Muir
The Ghost and Mrs. Muir (1947)
“THE SPIRIT... so willing! THE FLESH... so weak! THE ROMANCE... so wonderful!”
Synopsis & Story Arc
Official Logline
In 1900, young widow Lucy Muir learns that her seaside cottage is haunted and forms a unique relationship with the ghost.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Gene Tierney
Gene Tierney
as Lucy Muir
Rex Harrison
Rex Harrison
as Capt. Daniel Gregg
George Sanders
George Sanders
as Miles Fairley
Edna Best
Edna Best
as Martha Huggins
Vanessa Brown
Vanessa Brown
as Anna Muir as an Adult
Anna Lee
Anna Lee
as Mrs. Fairley
Robert Coote
Robert Coote
as Mr. Coombe
Natalie Wood
Natalie Wood
as Anna Muir as a Child
Isobel Elsom
Isobel Elsom
as Angelica Muir
Victoria Horne
Victoria Horne
as Eva Muir
Stuart Holmes
Stuart Holmes
as Man Ordered Out of Train Compartment by Captain (uncredited)
Houseley Stevenson
Houseley Stevenson
as Gardener (uncredited)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 105 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
