

Night and the City
Night and the City (1950)
“The inside story of London after dark.”
Synopsis & Story Arc
Official Logline
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Richard Widmark
Richard Widmark
as Harry FabianFrancis L. Sullivan
Francis L. Sullivan
as Philip Nosseross
Gene Tierney
Gene Tierney
as Mary Bristol
Googie Withers
Googie Withers
as Helen Nosseross
Stanislaus Zbyszko
Stanislaus Zbyszko
as Gregorius
Herbert Lom
Herbert Lom
as Kristo
Hugh Marlowe
Hugh Marlowe
as Adam Dunn
Mike Mazurki
Mike Mazurki
as The Strangler
Charles Farrell
Charles Farrell
as Mickey Beer
Ada Reeve
Ada Reeve
as Molly
Ken Richmond
Ken Richmond
as Nikolas
Alan Tilvern
Alan Tilvern
as Beggar (uncredited)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 95 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
