

Traffic
Traffic (2000)
“No one gets away clean”
Synopsis & Story Arc
Official Logline
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Michael Douglas
Michael Douglas
as Robert Wakefield
Benicio del Toro
Benicio del Toro
as Javier Rodriguez
Catherine Zeta-Jones
Catherine Zeta-Jones
as Helena Ayala
Erika Christensen
Erika Christensen
as Caroline Wakefield
Don Cheadle
Don Cheadle
as Montel Gordon
Jacob Vargas
Jacob Vargas
as Manolo Sanchez
Miguel Ferrer
Miguel Ferrer
as Eduardo Ruiz
路易斯·古兹曼
路易斯·古兹曼
as Ray Castro
托弗·戈瑞斯
托弗·戈瑞斯
as Seth Abrahms
Tomas Milian
Tomas Milian
as Gen. Arturo Salazar
Clifton Collins Jr.
Clifton Collins Jr.
as Francisco Flores
Amy Irving
Amy Irving
as Barbara WakefieldCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 147 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
