

モスラ対ゴジラ
Mothra vs. Godzilla (1964)
“A massive Mach 3 moth! The heavy missile tank Godzilla! The sky, sea, and land quake in the fierce battle of the century!”
Synopsis & Story Arc
Official Logline
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Akira Takarada
Akira Takarada
as Ichiro "Ichi" Sakai
Yuriko Hoshi
Yuriko Hoshi
as Junko Nakanishi
Hiroshi Koizumi
Hiroshi Koizumi
as Professor Shunsuke Miura
Yū Fujiki
Yū Fujiki
as Jiro Nakamura
Kenji Sahara
Kenji Sahara
as Jiro Torahata
Emi Ito
Emi Ito
as Shobijin (Twin Fairy)
Yumi Ito
Yumi Ito
as Shobijin (Twin Fairy)
Jun Tazaki
Jun Tazaki
as Editor Maruta
Yoshibumi Tajima
Yoshibumi Tajima
as Kumayama
Kenzō Tabu
Kenzō Tabu
as Prefectural Assembly Member
Yutaka Sada
Yutaka Sada
as School PrincipalAkira Tani
Akira Tani
as Amimoto, Shizunora Village LeaderCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 89 min |
Behind The Scenes
Official Licensed Streaming Directory
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
