

GHOST IN THE SHELL/攻殻機動隊2.0
Ghost in the Shell 2.0 (2008)
“People love machines in 2029 A.D.”
Synopsis & Story Arc
Official Logline
In the year 2029, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop a highly-wanted hacker known as 'The Puppetmaster'.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters

Atsuko Tanaka
Atsuko Tanaka
as Motoko Kusanagi (voice)
Akio Otsuka
Akio Otsuka
as Batou (voice)
Koichi Yamadera
Koichi Yamadera
as Togusa (voice)
Tamio Ohki
Tamio Ohki
as Section 9 Department Chief Aramaki (voice)
Tessyo Genda
Tessyo Genda
as Section 6 Department Chief Nakamura (voice)Masato Yamanouchi
Masato Yamanouchi
as Foreign Minister (voice)
Shinji Ogawa
Shinji Ogawa
as Diplomat (voice)
Yoshiko Sakakibara
Yoshiko Sakakibara
as The Puppet Master (voice)
Kazuhiro Yamaji
Kazuhiro Yamaji
as Garbage Collector A (voice)
Shigeru Chiba
Shigeru Chiba
as Garbage Collector B (voice)
Maaya Sakamoto
Maaya Sakamoto
as Motoko Kusanagi (young) (voice)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 85 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
