劇場版 鋼の錬金術師 シャンバラを征く者
Fullmetal Alchemist the Movie: Conqueror of Shamballa (2005)
Synopsis & Story Arc
Official Logline
Munich, Germany, 1923. Two years have passed since Edward Elric was dragged from his own world to ours, leaving behind his country, his friends and his younger brother, Alphonse. Stripped of his alchemical powers, he has been all this time researching rocketry together with Alphonse Heiderich, a young man who resembles his own brother, hoping to one day find a way back home. His efforts so far had proven fruitless, but after lending a hand to a troubled gipsy girl, Edward is thrown in a series of events that can wreak havoc in both worlds. Meanwhile, at his own world, Alphonse Elric ventures deeper into the mysteries of alchemy in search for a way to reunite with his older brother.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Romi Park
Romi Park
as Edward Elric (voice)
Rie Kugimiya
Rie Kugimiya
as Alphonse Elric (voice)
Toru Okawa
Toru Okawa
as Roy Mustang (voice)
Megumi Toyoguchi
Megumi Toyoguchi
as Winry Rockbell (voice)
Miyuu Sawai
Miyuu Sawai
as Noah (voice)
Michiko Neya
Michiko Neya
as Riza Hawkeye (voice)
Kazuko Kato
Kazuko Kato
as Dietlinde Eckhart (voice)
Hidekatsu Shibata
Hidekatsu Shibata
as Fritz Lang (voice)
Masane Tsukayama
Masane Tsukayama
as Karl Haushofer (voice)
Rikiya Koyama
Rikiya Koyama
as Rudolf Hess (voice)
Mayumi Yamaguchi
Mayumi Yamaguchi
as Envy (voice)
Nana Mizuki
Nana Mizuki
as Wrath (voice)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 105 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.